“Uh-uh! I know what you’re thinkin’…’Did he weather a hundred hoppers or only twenty-five?’ Well to tell you the truth, in all the excitement, I kinda lost track myself. But being this is an internet forum that at this range could bore your head clean off, you gotta ask yourself one question: ‘Does this Manny clown know or do anything else?’ Well does he, folks?”
Well, I weathered my first car this past February, and quickly acquired an affinity for weathering wood boxcars, and branched out from there, eventually coming to grips with steel hoppers that are the lifeblood of my C&O Railroad in the West Virginia mountains. I’ve shifted my focus to the layout now, but I have taken some time to select some early cars for some upgrading/rework, and I have a couple to show now for it.
My biggest early problem was not having a really viable shading method - I ran quickly into a dead end using BoomerDiorama’s direct X-21 method, and all I really had was white/light gray pastel chalks, and hand-brushing on thinned white acrylic washes. Some successes with both, but not the general utility I wanted.
Now with an airbrush, and with approaches learned here, (Thanks again
@TLOC ) I have more tools in my toolbox to work with. Without further ado:
The as-received condition of a Union Pacific wood box car, this one done in April:
View attachment 175826
Well, as close to as-received as possible, it’s got the base Dullcote on it. Not anticipating posting about it, I have no other in-process shots of it.
Both cars in this post had a exceptionally dark brown starting color for wood box cars.
Below is the original finished product, a bit of white Master’s Touch pastel for paint bleed/runoff down fron the Union Pacific lettering to the left of the door, and some sreaking with both lighter and darker brown to streak the car along the plank lines. Some dark gray/brown mixes on the roof to simulate some steam era grime:
View attachment 175828
And that’s how it stayed for over six months. I generally liked it but was perturbed by the absence of a good fade method for it.
So, here it is today: Airbrushed with Tamiya flat wthite thinned 6:1 with 99% isopropyl alcohol and some X-21 added., directly over the prior weathering, a little touchup with darker chalking to mask where I was a bit heavy with the fade coat. I also reinforced the soot & grime on the roof with more dark gray pastels.
It faded nicely, but still permitted my original chalk work details to show through (although I did touch up the grime around the hand grabs & ladders).
Final sealing on the update was with Vallejo matte varnish, airbrushed:
View attachment 175829
The other was this New York Central old-fashioned box car. I wanted particularly this one to be faded well - it is slated to run behind a 2-6-6-2 or a Shay, in the company of hoppers or flatcars running up the branch line & switchbacks ferrying tools & supplies to the coal mine or timber camp up the mountain. So, this was supposed to be a faded, well-worn piece, with a sooty and grubby roof.
(The NYC had access to the WV coal field via the Kanawha & Michigan, which the NYC owned, and interaction with the C&O about two miles from the extent of my layout.)
As originally finished:
View attachment 175830
Used the same process as described above for the Union Pacific car to improve this one (This is the other side of this car:
View attachment 175831
I also went darker on the weathering of the trucks on both cars, and the turnbuckles on the NYC car. I might walk back about half the color change on those elements.
Apart from that, I feel pleased with the improvements wrought