We all have our favourite "Go To" decoders, and I'm aware that it's subjective as to what your intending to want from it (sound/Non Sound, lights etc), but I've noticed when using different branded decoders, some seem to work better when fitted to a particular brand of Locomotive than others as an example, Digitrax works well with Athearn loco's not so well with Kato. SoundTraxx decoders work better with Atlas but not so well with Athearn, so my question is what are your experience's?
I guess the question is really are we talking about just decoders OR sound decoders.
And my answer is "the best decoder for the locomotive". If a manufacturer makes a drop in for that loco, that is often my first choice. Spent to long wedging too big decoders into too small locos to spend my time that way. For many years I was in the NCE DASR and D13SR decoder camp because one could get them in bulk for about $13.00 each. At the time, that was a phenomenal price especially when one has hundreds of locomotives to convert to DCC.
Then many of the manufacturers started putting out locomotives with 1.5V lamps and the DASR is not designed to handle that. It was bad enough in a Proto-2000 PA unit with just two headlamps, but then I burnt out every bulb in a Genesis F set for the same reason. It was not fun replacing all those bulbs (8 headlamp bulbs, and 4 marker lamp bulbs). Grumble grumble. I really wish the manufactures would specify in large letters the voltage used in their units. Anyway, enter the Digitrax DH165KO. It has a trace that can be cut or uncut to have the lamp be track voltage or 1.5V. Yay!
While I had already been using LEDs on a limited basis because they were so expensive, they finally got to a price point it they became more main stream and it was practical to use them everywhere. That made me rethink the decoder choice. If I was changing to LEDs then I was back to using the NCE DASR.
Rewind a few decades and then on to sound. Now you have to realize I've had sound since 1981, I mean really really good sound (Pacific Fast Mail and PBL to be specific), but by 1992 with the new DCC system they were incompatible. grumble grumble. So I was intrigued when Soundtraxx started introducing their sound units, but I just couldn't afford a $300 decoder for each locomotive. I only purchased 3 or 4 for "special" locomotives. But I had sound AND DCC. how cool was that!
And then DCC started becoming more mainstream and both decoder price and sound price dropped dramatically while the quality improved. Now I do not have a "go to" decoder. The ONLY sound decoder I have had serious problems with were the first MRC Brilliance that Athearn decided to install in the Genesis line. I had a 4-6-6-4 that I called up channel 3. Drove the locomotive to the programming track. Tried to change the channel to the loco number, and it died. I tried every trick in the book to reset the decoder. Every mode, of every DCC system, of every given command to reset to factory default. No luck. So I purchased a Tsunami (which was the newst thing on the market at the time). Could not figure out how to get the tender shell off. Tried for hours and finally gave up. The new decoder set in the box with the loco for about .... 7 years, and I finally got back to that project. Took the locomotive out, put it on the track it fired up on channel 3, (?!??) I changed to the new number and it has been running ever since. It is loud and blaring on any but the lowest setting, but one less project to do, so I still have a Tsunami for something else. Ditto for a set of Genesis F units. I think they made one loop at the club before I attempted to change something and the decoders locked up. So I threw them in a box under the layout and they sat there for a few years. I boycotted Athearn based on the electronics until they switched (think that lasted 3 or 4 years). Anyway DO NOT BUY the ORIGINAL MRC brilliance decoders.
Now I just buy sound equipped and use whatever the manufacturer puts in the unit. I have bunches of everything and have not had the problems that other people seem to report. Maybe I am just not as picky with sound quality as I used to be, or maybe the museum track is so well maintained that any dirty track/wheel glitches just aren't there and the sound detail gets lost in the emenseness of the place. But having been installing decoders (that were originally the size of Ohio) into HO equipment since 1979 with the original CTC-16 system, then the sound PFM stuff, then the Railcommand (and yes I've done Railcommand with sound mostly because I had one fellow tell me it was impossible), then DCC (literally hundreds of installs) I've just gotten tired of it. I want to spend my time running my trains and watching them run not working on them anymore.
I suppose when I want good sound I'll listen to my stereo instead of the tinny squeaky speakers we put in toy trains.