Jaz avalley
Station cat
There is a nice water thread already but it is a sticky and I am about to throw up loads of my own so though it best to do a separate thread.
Water
There are types, still,running, tidal, still, falling, spouting….you name
has tonnes of variants
colour there of, reflected on a sun day often a beautiful blue, but a dull or cloudy sky gives a totally look to water.
any water on two different days had the potential to look totally different
most of us modellers tend to have a running stream or river
i prefer to work form a reference picture it helps to have a real colour palette to work with
flat water is the easiest, I brush in the direction of the water flow, and I add black for depth,dark brown for dirt,blues and greens as they usually are in the mix and white highlights for movement
in this case I also modelled the wall next to it,
and the sloe on the other side, you notice the water has highs and lows due to rain fall and it usually cuts away the ground which is noticeable when the water drops slightly, this usually results in dirtier coloured earth and darker shadows best shown off by thinned black
I often do at least 3 layers of varnish with gaps thiese help capture light later when photographing, I also added ballast for the water bed,
the wall needs embedding to the water and a nearby window adds real light there’s still plenty of modelling to go but compare back to the reference photo
you can see we are moving in the right direction.
Water
There are types, still,running, tidal, still, falling, spouting….you name

colour there of, reflected on a sun day often a beautiful blue, but a dull or cloudy sky gives a totally look to water.
any water on two different days had the potential to look totally different
most of us modellers tend to have a running stream or river
i prefer to work form a reference picture it helps to have a real colour palette to work with
flat water is the easiest, I brush in the direction of the water flow, and I add black for depth,dark brown for dirt,blues and greens as they usually are in the mix and white highlights for movement
in this case I also modelled the wall next to it,
and the sloe on the other side, you notice the water has highs and lows due to rain fall and it usually cuts away the ground which is noticeable when the water drops slightly, this usually results in dirtier coloured earth and darker shadows best shown off by thinned black
I often do at least 3 layers of varnish with gaps thiese help capture light later when photographing, I also added ballast for the water bed,
the wall needs embedding to the water and a nearby window adds real light there’s still plenty of modelling to go but compare back to the reference photo
you can see we are moving in the right direction.